four-track tape (1975)

Written a few months after Incubus, Circe shares that tune’s melancholy. It also features the only recorded documentation of my harmolin, an autoharp-like fretless instrument that was subsequently purloined from a Columbus, Ohio apartment. Also featured are Killer and Astrosynarce, The Miracle Synthesizer, played by Dennis Báthory-Kitsz and myself, respectively. There was never a score; there were only vague suggestions to do this or that.